Last summer I wrote a blog post about the very first duo concert Ramesha and I did, before we were even a couple! It was titled, “How it all began…”
When I listen to the recording of that concert now, what amazes me the most is my flute-playing. It was a unique time really, when I was able to draw on my decades of experience as a professional flutist, but I no longer had to deal with being a professional flutist.
In other words, I no longer had the stress of driving all over the metropolitan SF Bay Area for gigs. I wasn’t spending hours practicing difficult music, followed by more hours sitting in orchestra with a mixed bag of musician colleagues playing that difficult music.
Instead, I was living in beautiful Umbria, surrounded by a level of calm and quiet that I’d never before experienced in my life. I didn’t have to drive at all. And virtually all of my time on the flute was spent playing beautiful uplifting melodies which — by professional flutist standards — were a piece of cake!
Don’t get me wrong; I loved being a professional musician and being part of an orchestra. I had a ton of awesome experiences and worked with lots of lovely people. But somewhere along the way it went from being something I did because I loved it, to turning into a job where I felt I never quite measured up. I pushed myself, then pushed myself some more, and eventually that sense of strain and stress started to come through in my flute tone.
Finally, I was ready to give up on being a flutist altogether, to the point where I tried (unsuccessfully, thank goodness) to sell my instrument. But within a couple of more years I had found my way to Ananda, Yogananda, and Swami Kriyananda; to meditation, Kriya Yoga, and spiritual community; to Ananda’s music, singing(!), and touring Italy for almost two years sharing that music.
And what I found in my first months living in Italy was that the dramatic shift in lifestyle resulted in a relaxation and renewed enjoyment that could be heard in my flute playing; it was like returning to the simple joy in making music that I had experienced from childhood up until about halfway through Conservatory.
Ramesha and I did include a few classical pieces on that India Benefit concert, but it’s far from a “perfect” performance. For one thing we talked and laughed through most of our rehearsal time, instead of working on the music. But really, we were there to have fun getting to know one another, while also sharing our joy in making music with our spiritual community.
We didn’t know it then, but it was the beginning of our musical dharma, the best gig of all.
