Thoughts on the making of music

I’ve been pondering that elusive “something” that happens when people make music together. The key point here being “make music together,” as distinct from “play (or sing) music at the same time.”

This has been on my mind lately because many of our Ananda singers and musicians fall into the second category and I’m not sure how to help them find their way into the first one.

Why does it even matter? Well, imagine you want to make a cake. You find a recipe and gather your ingredients — flour, sugar, eggs, etc — and put them all in a mixing bowl. As you stir the ingredients, they lose their original form, gradually blending together into something new. All the ingredients are still there but they’ve been transformed into something different, something more.

But how would the cake turn out if, before being put into the mixing bowl, each individual ingredient was placed inside it’s own plastic baggie? You could stir and stir and stir, but your ingredients would never blend together and transform into a delicious cake!

To be continued…

More about transformation

The concepts I tried to capture and express in last night’s blog felt like they really stretched and challenged my brain; I even wondered whether I was making sense!

Then tonight I read the following in a blog–Inspiration for Challenging Times-COVID-19–written by my friend, Surendra (emphasis in bold is mine):

Dear Me…
You signed up for this crisis when you agreed to be born in this time and place. You came here to learn and to help. That was the deal, remember?
If it had been your karma to be born in a higher age, or on a more refined planet, that’s where you would have been sent. But this is where you have landed, entirely for your own good, and now your opportunity to make the most of it has never been greater. Get to it, man, and stay with it. Feel the love, and share it. Make it the time of your life.

The “doubting Thomas” part of me feels much better, as I find that I’m not entirely alone in having this thought!

Soooo…let’s remember that we signed up for this, grab hold of the opportunity, and get to it! We can make this the time of our lives. (Thanks, Surendra! πŸ™πŸ’—πŸ™)

Degrees of transformation

Saw this image on Facebook, accompanied by a friend’s post commenting on how we’re being divinely cleansed and prepared for a beautiful and more abundant future…but we must have faith.

And I find myself reflecting once again on the fact that we all have our own little moments of what–to us–feel almost like a crucifixion-resurrection experience; our own uniquely personal version of death-rebirth that we move through again and again throughout our lives.

I think on a very, very deep level we know we signed up for these experiences, but when the moment comes to face up to them it feels like a very bad idea that we would never have agreed to!

It’s like we each have our own itsy-bitsy, teeny tiny version of the Easter story helping us to build our faith muscle.

Hmmm… I’m not entirely sure this makes any sense, but it’s late so I’ll just leave it at that. πŸ™‚

A study in contrasts

I was still active as a freelance classical flutist when I moved into the Ananda Palo Alto community in the late-90’s, with a large portion of my income coming from music gigs. Christmas was a particularly busy time, with orchestras offering holiday concerts; businesses hosting office parties; and churches putting on elaborate Christmas pageants.

My second or third Christmas after coming to Ananda, I was blessed with an experience that clearly demonstrated to me the transformative power of Ananda’s meditation techniques and music.

I had performed at a church in a neighboring town the year before and was happy when they asked me back for a second year. But this time, the date of the gig just happened to be five days after a performance of the Oratorio. And, my goodness, what a contrast!

My experience at the “traditional” church:

  • An impatient, critical, abusive conductor
  • A freaked-out keyboardist and indifferent, careless musicians
  • A “slick”, heartless production
  • Superficial, “Hollywood”-style musical arrangements geared to singers’ egos
  • A passive, “dead” audience

My experience at Ananda:

  • A respectful conductor, harmonious communication, and supportive leadership
  • Joyous, caring, inspired musicians
  • A deeply felt, inspired production
  • Elegantly simple yet refined arrangements of superconscious music that awakens devotion and raises singers’ energy
  • A responsive, energetic, and deeply engaged audience

During the church Christmas pageant I was miserable and felt like I could hardly play. I ended up promising myself I would never do that gig again, that the money just wasn’t worth it. But then I got to reflecting: I had done it the year before with no problem; what was different?

The difference was that in the year in-between, I had continued to deepen my meditation practice, becoming more and more attuned to a higher, more loving vibration. So it actually felt traumatic to try and fit myself back into that judgmental, superficial, empty energy.

Bottom line? Although I have rare moments when I miss playing in orchestra, I have no regrets about letting go of that career and dedicating my energies to a higher cause.